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Live Music Photography 101

Written by: vernons

I shoot music because I genuinely love music. I always have and I think I always will. These days when I am shooting a band I make sure to travel light, yet always be prepared for any given situation. Professional concert photographers can often be seen with 2-3 camera bodies strapped around their necks with a wide variety of lenses and flashes. These photographers usually have a press pass and generally work for a national magazine or major publication, which grants them access and permission to carry professional equipment inside the venues.

However, not all of us are that fortunate. Many of the more established and well-known venues have strict rules and guidelines for photographers. Some do not let in any professional cameras. A professional camera is considered any camera with a removable lens. Music festivals, concert halls and clubs have embraced this as a general rule.

That being said, here are a few tips to help you get around this rule:

Tip 1 – Go to a lot of shows! Ever hear that saying, “it’s not what you know, it’s who you know?” Well, that’s very true. The more people you meet at shows and the more people that know you, the more people will help you out. If you become known as a photographer, people may start asking you to shoot their shows for them.

KOURY ANGELO PHOTOGRAPHY

Tip 2 – Get a Press Pass! Become friendly with the club owners, the band or a magazine publication. You can send a link to your work through by contacting them by email or any other social networks like Twitter, Facebook or Myspace. Call ahead of time and say you want to take photographs for them in exchange for access as a photographer. But remember, it’s harder to get permission from more established bands, festivals and venues, so make sure to contact them a few weeks or even months in advance.

CrystalCastles[1]

Tip 3 – Arrive early and leave late. Once you are inside the venue, survey the environment and get a good feel for the space. Look for any lighting, colors, textures or backgrounds on stage that would make for an interesting photo. Stick around after the show and ask to take a portrait of the band. These photos are priceless and can quickly build your portfolio and reputation as a music photographer.

DevendraBanhart[1]

Tip 4 – Be prepared! Get your settings ready before the show starts. Make sure your battery is charged, memory card is formatted, flash is ready, and your exposure and ISO is set properly. Some places don’t allow flash, so this is where a good high ISO camera comes in handy. It sounds basic, but there is nothing worse than missing out on a candid shot of your favorite band because of technical difficulties.

Flyleaf[1]

Tip 5 – Find different perspectives and angles to shoot from. Move around the venue. Don’t just shoot from one place. Get wide shots from the behind the crowd, close ups from the front row, crowd shots and even go backstage if you can. The more you cover the better. It’s a good idea to have at least two cameras so you can get different perspectives and capture important spontaneous shots at any moment.

JanelleMonae[1]

Tip 6 – Invest in a “non professional” camera. There are plenty of options these days, but my favorite non-professional digital camera is the Canon G10. This little 14.7 megapixel camera packs a powerful punch. The flash is amazing and the quality is superb. A small, point and shoot camera like this gets you the access you need with professional quality that holds up to some of the most expensive DSLR’s. It also shoots video, which is a huge plus at concerts.

PerryFerrell[1] 

Tip 7 – Travel Light. Bring minimal equipment and a small travel bag for your cameras. This way, you can maneuver through the crowds without bumping and distracting them from the show.

RoniSize[1]

Tip 8 – Always be considerate of others in the crowd. Try not to obstruct other’s point of view just to take a photo. The less you are noticed, the better.

Tip 9 – Follow up! Say thank you and share your photos with others. Send a link to your blog or website as soon as possible. Send photos to the bands and venues to see if they want to use them for promotional purposes. People always need good photos for different reasons, so the faster you send them the better.

TheKills[1]

Tip 10 – Get on the List! Sign up for email lists of different bands and popular music venues to see who is playing that week or month. Stay ahead of the competition. Get the news and tour updates before the rest…this will help you get the access and permission you need to photograph your favorite musicians.

This post was written by Koury Angelo and you can check out more great stuff on music photography at his site here.

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Previous Post:

  • Andrew
    This really says absolutely nothing about live music photography...
  • Hi,

    Thanks for the great info. I try and shoot a lot of musicians and this advise will help.

    Thanks

    Delme
  • chris
    I agree with Andrew, I was hoping for some key tips and lighting camera tips.
  • Thanks for the info. here are some of my band shots

    http://www.flickr.com/photos/graham_warsap/coll...
  • Greg
    A couple of ok tips there however it might be different were you live but in the uk with a press pass and in the pit you have 3 songs to get your shot with no flash, (smaller venues without a pit and so on you can get away with it but dont use to much it will take away from the atmosphere) any flash seen going off from your camera will get you kicked out of the pit by security.

    Tips: if you are gonna shoot some live bands you most probs want 2 bodys with wide to medium lens and medium to long lens, you dont wanna shoot with an f-stop any smaller than f2.8 and you dont really want to shoot slower than 200th of a second even faster with a really long lens i find iso of about 400 works fine depending on the venue i have been to a few places where ive need 1600 and even higher would of been better
  • Grom
    Lighting, in Ireland anyway, is pretty hard to work with in most venues, unless its a big international touring show. So if you want to shoot in a pit and get good shots you need a fast lens. In Ireland too there is the rule of first 2 or 3 songs, absolutely no flash. I recommend the nikon or canon 1.8 50mm lens to anyone starting off. If you are using a entry level DSLR they are 1.6 times longer so the 50 is likened to 70ish. These are great for people getting into live music as they are very affordable (about 100 euro) and when starting you wont really need a telephoto as you will be in smaller venues and closer to the band.

    The other thing which I see that ruins most shots from a technicial view point is camera shake due to low shutter speed (Greg is right, at least 1/200, so increase your ISO to get a higher speed) I use a Canon 5D Mk 2 so I often go to 3200 to get a shot, but the grain is pretty good at that level.

    Also bear in mind your focus point. If you leave it to the camera it will always be drawn to mic stands, guitar necks etc which will ruin a lot of otherwise good shots as at 2.8 your margin of error is very small. So I use selective focus points.

    Thats my few cents worth!
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